LED Volume VR: Immersive Scenery

Immersive virtual scenes. Using advanced LED display modules, compose a large-scale cylindrical screen, with scene-engine (game-engine) tools to produce, GPU computation, and high power to parallelly drive the display. This is to realize the immersive Virtual Reality (VR), then: 

Shooting Stage: Real-time Visualization

Further Push: with automated motion-capture and lighting track, real-time inputs, realize game engine (design tools) to servo camera position-motion relative to characters, sets, scenes, and lighting surrounded by background scenery lighting. These constructed virtual-reality dynamic environments in real-time stage operation. This is Real-time Visualization and in the production flow:

New Pipeline

Production Flow: From the conventional visual effect Pipeline (flow), the new system requires moving a large portion of traditional “Visual Effect Post-production” to the front. The new virtual production’s overall efficiency and effects are elevated to a higher level:

  • Convenience to the director, actors and shooting crew.
  • Save shooting/performing efforts and time.
  • Reduce costs for crew and equipment operation on physically-built sets or really on-site the scenery

Void errors and repeating efforts usually take place in transit from shooting to post-production.

Impact to Industry

Virtual Production’s experimental results had been first-time published at the SIGGRAPH annual conference, demonstrated in conjunction with the shooting of the Mandalorian network series, based on a Star Wars IP. A demonstration was presented by Disney’s Industrial Lighting Magic. The series’ progressive utilization of a virtual production facility, with its stylish artistic achievement and high economic success, is expected to promote an important innovation in the visual effect industry.

To this point, the green-screen stage, the integrated real-time composite, and the rendering stage have been two generations of past “digital sound stages”. The virtual production stage is starting the Third Generation of Digital Sound Stage. 

However, to a stage investor and operator, the challenge is to possess a prolonged resident series production, so that the economics of such a high-cost facility’s return on investment and recurrent operation costs, can be secured.

Business Model

Visionary Group, since its IPO, has accumulated ownership of solutions to pioneer in Virtual Production with an optimal operation model, to be profitable operating it, with its 3 outstanding strengths and value proposition:




Engineering: a group of Engineering and Technical Talent Team enables virtual production’s technological advantages, system feasibility, and integrity. A business plan, by Chief Engineer Jin Luo, has gone through three years of multiple iterations analyses, and justifications. It is ready to be comparable to the world’s top brand and finance productions, only because we have uniquely made a different business model. We are targeting mid-low range budget productions, which are the mainstream sector of the world film and media content industry. Populate & Elevate, which has been Visionary Group’s original motivation for industrial contributions.


Proprietary Content Productions Assures ROI


Production Generates Profit: Director of Art Craig Talmy custom-created Red Darwin, an action and suspense-packed Mars journey Sci-Fi series mixed with a lot of different scientific perspectives, taking economic production into consideration, it met lower budget constraints and popular market demands, for independent production. Talmy dedicated the story and script to the best accommodation for our proprietary-built Virtual Production process. 


Distribution-driven Creation


Production & Distribution: led by Distribution Executive Rosemond Perdu, Edu-Production Fusion has integrated faculty-students with proprietary creation-production, and structured a market-driven content development, to directly oriented the world distribution market;